{"id":2064,"date":"2026-04-08T06:40:55","date_gmt":"2026-04-08T06:40:55","guid":{"rendered":"https:\/\/hrfc.yakspirit.com\/filmfestival\/?page_id=2064"},"modified":"2026-05-09T21:15:45","modified_gmt":"2026-05-09T21:15:45","slug":"winners-list-12th-nhriff-2024","status":"publish","type":"page","link":"https:\/\/hrfilms.org\/filmfestival\/winners-list-12th-nhriff-2024\/","title":{"rendered":"Winners List- 12th NHRIFF 2024"},"content":{"rendered":"\t\t
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A few words about<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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NHRIFF 2024\n<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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OFFICIAL SELECTIONS FOR 12TH NEPAL HUMAN RIGHTS INTERNATIONAL FILM FESTIVAL<\/u><\/strong><\/span><\/p>

FEATURE FICTION<\/strong><\/span><\/p>
SN.<\/strong><\/span><\/td>Film<\/strong><\/span><\/td>Director<\/strong><\/span><\/td>Country<\/strong><\/span><\/td><\/tr>
1<\/strong><\/span><\/td>Nirvana<\/span><\/td>Asif Islam<\/span><\/td>Bangladesh<\/span><\/td><\/tr>
2<\/strong><\/span><\/td>All we Imagine\u00a0 as Light<\/span><\/td>Payal Kapadia<\/span><\/td>India<\/span><\/td><\/tr>
3<\/strong><\/span><\/td>The Stranger\u2019s Case<\/span><\/td>Brandt Andersen<\/span><\/td>Jordan<\/span><\/td><\/tr>
4<\/strong><\/span><\/td>Performing Kaoru\u2019s Funeral<\/span><\/td>Noriko Yuasa<\/span><\/td>Japan<\/span><\/td><\/tr>
5<\/strong><\/span><\/td>In the Belly of a Tiger<\/span><\/td>Jatla Siddartha<\/span><\/td>India<\/span><\/td><\/tr><\/tbody><\/table>

FICTION SHORT<\/strong><\/span><\/p>
SN.<\/b><\/span><\/td>Film<\/strong><\/span><\/td>Director<\/strong><\/span><\/td>Country<\/strong><\/span><\/td><\/tr>
1<\/strong><\/span><\/td>The First film<\/span><\/td>Piyush Thakur<\/span><\/td>India<\/span><\/td><\/tr>
2<\/strong><\/span><\/td>The last whinny of a horse that had dreamt of becoming a butterfly<\/span><\/td>Mahdie Mohammadi<\/span><\/td>Iran, Islamic republic of<\/span><\/td><\/tr>
3<\/strong><\/span><\/td>The man who could not remain silent<\/span><\/td>Neboj\u0161a Slijep\u010devi\u0107<\/span><\/td>Croatia<\/span><\/td><\/tr>
4<\/strong><\/span><\/td>Her last day<\/span><\/td>Jiacheng Wang<\/span><\/td>China<\/span><\/td><\/tr>
5<\/strong><\/span><\/td>1924<\/span><\/td>Prataya saha<\/span><\/td>India<\/span><\/td><\/tr>
6<\/strong><\/span><\/td>Un movimiento extra\u00f1o (An odd turn)<\/span><\/td>Francisco Lezama<\/span><\/td>Argentina<\/span><\/td><\/tr>
7<\/strong><\/span><\/td>Ootide<\/span><\/td>Egle Razumaite<\/span><\/td>Lithunia<\/span><\/td><\/tr>
8<\/strong><\/span><\/td>Numan<\/span><\/td>Zohre Zamani<\/span><\/td>Iran<\/span><\/td><\/tr>
9<\/strong><\/span><\/td>Anar Dana<\/span><\/td>Nishi Dugar<\/span><\/td>India<\/span><\/td><\/tr>
10<\/strong><\/span><\/td>Daisy<\/span><\/td>Aditi Dixit, Joffrey Atienza Zamora, Shecid Dom\u00ednguez Aguilera<\/span><\/td>Spain<\/span><\/td><\/tr>
11<\/strong><\/span><\/td>Europe<\/span><\/td>Ekain Irigoien<\/span><\/td>Spain<\/span><\/td><\/tr>
12<\/strong><\/span><\/td>There are people in the forest<\/span><\/td>Szymon Ruczynski<\/span><\/td>Poland<\/span><\/td><\/tr><\/tbody><\/table>

\u00a0<\/strong><\/span>DOCUMENTARY SHORT<\/strong><\/span><\/p>
SN.<\/strong><\/span><\/td>Film<\/strong><\/span><\/td>Director<\/strong><\/span><\/td>Country<\/strong><\/span><\/td><\/tr>
1<\/strong><\/span><\/td>Then comes the body<\/span><\/td>Jacob Krupnick<\/span><\/td>USA<\/span><\/td><\/tr>
2<\/strong><\/span><\/td>Black rain in my eyes<\/span><\/td>Amir Athar Soheili, Amir Masoud Soheili<\/span><\/td>Syrian Arab Republic<\/span><\/td><\/tr>
3<\/strong><\/span><\/td>Carpenter<\/span><\/td>Xel\u00eel Sehragerd<\/span><\/td>Iran, Islamic republic of<\/span><\/td><\/tr>
4<\/strong><\/span><\/td>The Canadian Dream<\/span><\/td>Ilse Moreno<\/span><\/td>Canada<\/span><\/td><\/tr>
5<\/strong><\/span><\/td>The poem we sang<\/span><\/td>Annie Sakkab<\/span><\/td>Palestine<\/span><\/td><\/tr>
6<\/strong><\/span><\/td>Tales of exile<\/span><\/td>Sambor Czarnawski-Iliev<\/span><\/td>U.K<\/span><\/td><\/tr>
7<\/strong><\/span><\/td>Flowers<\/span><\/td>Jos\u00e9 Cardoso<\/span><\/td>Ecuador<\/span><\/td><\/tr>
8<\/strong><\/span><\/td>Sotong<\/span><\/td>Zinc Chew<\/span><\/td>Malaysia<\/span><\/td><\/tr>
9<\/strong><\/span><\/td>How to Please<\/span><\/td>Elina Talvensaari<\/span><\/td>Finland<\/span><\/td><\/tr><\/tbody><\/table>

\u00a0<\/strong><\/span>DOCUMENTARY FEATURE<\/strong><\/span><\/p>
SN.<\/strong><\/span><\/td>Film<\/strong><\/span><\/td>Director<\/strong><\/span><\/td>Country<\/strong><\/span><\/td><\/tr>
1<\/strong><\/span><\/td>Pink Belt<\/span><\/td>John McCrite<\/span><\/td>USA<\/span><\/td><\/tr>
2<\/strong><\/span><\/td>Brick Mule<\/span><\/td>Michael Brown<\/span><\/td>UK<\/span><\/td><\/tr>
3<\/strong><\/span><\/td>Odleglosci (Distance)<\/span><\/td>Matej Bobrik<\/span><\/td>Poland<\/span><\/td><\/tr>
4<\/strong><\/span><\/td>Where we used to sleep<\/span><\/td>Matthaus Worle<\/span><\/td>Germany<\/span><\/td><\/tr>
5<\/strong><\/span><\/td>Savanna and The Mountain<\/span><\/td>

Paulo Carneiro<\/span><\/p>

\u00a0<\/p><\/td>

Portugal<\/span><\/td><\/tr>

6<\/strong><\/span><\/p>

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7<\/strong><\/span><\/p><\/td>

Harraga: Those who burn their lives<\/span><\/p>

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Devi<\/span><\/p><\/td>

Benjamin Rost<\/span><\/p>

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Subina Shrestha<\/span><\/p><\/td>

Germany<\/span><\/p>

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Nepal<\/span><\/p><\/td><\/tr><\/tbody><\/table>

NEPALI PANAROMA<\/strong><\/span><\/p>
SN.<\/strong><\/span><\/td>Film<\/strong><\/span><\/td>Director<\/strong><\/span><\/td><\/tr>
1<\/strong><\/span><\/td>Wagging Tale<\/span><\/td>Samagra Shah<\/span><\/td><\/tr>
2<\/strong><\/span><\/td>Dhye Dreams<\/span><\/td>Shanta Nepali<\/span><\/td><\/tr>
3<\/strong><\/span><\/td>Chasing the Dream<\/span><\/td>Pradip Pokhrel<\/span><\/td><\/tr>
4<\/strong><\/span><\/td>No Monastry No village<\/span><\/td>Tashi Lhazom<\/span><\/td><\/tr>
5<\/strong><\/span><\/td>Dust to Disclosure<\/span><\/td>Aakanshya GC Bhujel<\/span><\/td><\/tr>
6<\/strong><\/span><\/td>Remnants<\/span><\/td>Dhanraj Barkote<\/span><\/td><\/tr>
7<\/strong><\/span><\/td>Computer ra Baishaki<\/span><\/td>Anil Kumar Maharjan<\/span><\/td><\/tr>
8<\/strong><\/span><\/td>Chhesang<\/span><\/td>Rajeela Shrestha<\/span><\/td><\/tr>
9<\/strong><\/span><\/td>Ajima and Six Genders<\/span><\/td>Sunil Babu Panta<\/span><\/td><\/tr>
10<\/strong><\/span><\/td>Sun ra Pani<\/span><\/td>Anna Deluche<\/span><\/td><\/tr>
11<\/strong><\/span><\/td>Youna<\/span><\/td>Astitwa Adhikari<\/span><\/td><\/tr>
12<\/strong><\/span><\/td>Beli<\/span><\/td>Khem raj Adhikari<\/span><\/td><\/tr>
13<\/strong><\/span><\/td>The Goddess<\/span><\/td>Shankar Dhital<\/span><\/td><\/tr>
14<\/strong><\/span><\/td>Hues<\/span><\/td>Prakriti Sharma<\/span><\/td><\/tr>
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Winners List- 12th NHRIFF 2024\n<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Best Film International Fiction\n<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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All We Imagine As Light\n\n<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Country- India<\/p>

Director- Payal Kapadia<\/p>

Jury Citation:<\/p>

The film is inspiring and engaging audiences internationally. With three strong women and compelling stories of how patriarchy and society create systemic oppressors for each, the film gently explores identity and human rights with a tremendous amount of restraint, humor, and candidness.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Best Film International Non-Fiction\n<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Where we used to sleep\n\n<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Country- Germany<\/p>

Director- Matthaus Worle<\/p>

Jury Citation:<\/p>

Where We Used to Sleep by Matthaus Worle is a well paced and hauntingly beautiful look at the impacts of governmental corruption and extraction mining. The human story of a single woman left behind and losing her home to these powerful and unjust forces is one we see far too often, and the film is a call to speak up against environmental degradation, extractionism, and indifferent governmental regimes<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Best Short Documentary International\n<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Black rain in my eyes\n\n\n<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Country- Syria<\/p>

Director- Amir Athar Soheili, Amir Masoud Soheili<\/p>

Jury Citation:<\/p>

The film is a touching, bittersweet examination of war through the lens of a creative father protecting his blind daughters. The films playfulness and poignancy are a call to end war and sustain peace in all societies for our children.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Best Short Narrative International\n<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The First Film\n\n<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Country- India
Director- Piyush Thakur
Jury Citation:
THE FIRST FILM by Piyush Thakur. The whimsical and powerful examination of girls and women\u2019s rights is explored through the experiences of young people. We recognize this film as an excellent exploration of women\u2019s rights and also love. The film is commended especially as a film for families and children to learn more about these important topics.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Best Film Nepali Panorama\n<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Remnants\n\n\n\n<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Director- Dhanraj Barkote<\/p>

Jury Citation:<\/p>

The jury was moved by the film\u2019s vulnerability and honest self-reflection of identities. Traversing space and time, the film is a raw exploration of where we come from and how that shapes us.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Best Nepali Women Filmmaker\n<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Devi\n<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Director- Subina Shrestha<\/p>

Jury Citation:<\/p>

Special mention to the film DEVI, directed by Subina Shrestha. DEVI raises issues that many wish to keep quiet and just forget. The film shows that without justice, truth and reconciliation are not possible for conflict victims. The bravery of the women showcased in the film ask us \u2013 the audience \u2013 to bear witness to the injustice and harm that has not yet healed. We commend the film team on a moving and impactful documentary.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Best Film Nepali Panorama, Special Jury Mention\n<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Chhesang\n\n\n\n\n<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Director- Rajeela Shrestha<\/p>

Jury Citation:<\/p>

We were moved by the film\u2019s examination of gender and identity centering on menstruation. This traditionally taboo topic intersects with gender identity. The short film accomplishes a tremendous amount in just 12 minutes. It is an ambition and successful attempt to begin to de-stigmatize conversations around these important topics. As an emerging filmmaker we commend you, and we look forward to seeing future work<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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A few words about NHRIFF 2024 OFFICIAL SELECTIONS FOR 12TH NEPAL HUMAN RIGHTS INTERNATIONAL FILM FESTIVAL FEATURE FICTION SN. Film Director Country 1 Nirvana Asif Islam Bangladesh 2 All we Imagine\u00a0 as Light Payal Kapadia India 3 The Stranger\u2019s Case Brandt Andersen Jordan 4 Performing Kaoru\u2019s Funeral Noriko Yuasa Japan 5 In the Belly of […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-2064","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/hrfilms.org\/filmfestival\/wp-json\/wp\/v2\/pages\/2064","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hrfilms.org\/filmfestival\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/hrfilms.org\/filmfestival\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/hrfilms.org\/filmfestival\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hrfilms.org\/filmfestival\/wp-json\/wp\/v2\/comments?post=2064"}],"version-history":[{"count":0,"href":"https:\/\/hrfilms.org\/filmfestival\/wp-json\/wp\/v2\/pages\/2064\/revisions"}],"wp:attachment":[{"href":"https:\/\/hrfilms.org\/filmfestival\/wp-json\/wp\/v2\/media?parent=2064"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}